Form 2100 Sched 399 is very important we can help to make sure you receive all comparable replacement requirements in accordance with the complicated FCC
regualtions. During the BAS relo QComm helped 69 TV statiosn maximize their replacement facilities and delivered on time and budget projects. Let us help you today. This is a once in a lifetime
project and all stations need help. Our services are 100% covered under the FCC regualtions and the Catalog of costs in Form 2100, Sched 399.
ZERO cost to the stations!
-Preliminary Preparation for Construction Permit
-Project Manangement - Vendors and FCC
-Audits - Field Studies
-Tower siting issues
-more- Call us now.
Methodology to get the project moving-
- Determine what each station will need to do to participate in this program. Participation is mandatory but the options need to be identified.
- Complete an inventory of all equipment that will be affected by this program.
- Identify the channel transition plan. Based on the current info, most stations can identify when they are going, but how to get there is an
- Determine what facility modifications may be needed. If the transmitter facility can’t support ongoing operations during the build, additional space
construction may be required. Need to know this info for planning purposes, schedule and costs
- Which vendors will provide the new equipment and has any attempts been made to get in line for equipment deliveries-key to schedule and budget.
- What service providers are required? Tower structural analysis will be required. Engineering and Project mangement and Tower crews will need to
be taken under contract. Power and emergency power modifications may need to be planned for as well.
- Local zoning and permit requirements if needed. These can take a very long time so early planning needs completed.
- Legal changes in the FCC license area and may be needed ith the FAA as ower heights are modified-up/down
- Disposition of old equipment-either to the junk heap or to potential stations who could use it. This includes all the studio gear should the station
elect to go dark. Obviously, group stations can shuffle around gear to fit their needs but individual stations will need a plan.